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The Eye of Photography Feature: Joel-Peter Witkin
The Eye of Photography Feature: Joel-Peter Witkin
By Gilles Decamps

Joel-Peter Witkin: The Early Works, an exhibition consisting of twenty-four vintage photographic prints by one of the most idiosyncratic and recognizable photographers of the 20th century. With images spanning 1950 to 1978 – many of which are unique and have not yet been displayed – this exhibition offers the viewer rare insight into the origins of the artist’s innovative and distinctive vision.

Exhibition Review: Sarah Sense, Power Lines
Exhibition Review: Sarah Sense, Power Lines
Photograph Magazine

Power Lines engages with the forced physical assimilation of Native people and a process of psychological assimilation through the artifice of Hollywood and popular culture. With a nod to the growing field of Indigenous Futures, Sense’s works gesture in multiple directions, through the past and present, as well as toward a generative space of future preservation and possibility. She transforms source material, including colonial letters and maps from the archives of the British Library, into contemporary artifacts that allude to the retrieval of ancestral ways of being. The mathematics at play in the work, represented by the numbers inherent in weaving patterns, offer a further form of meaning in an increasingly uncertain world.

Historic Exhibition of Black Abstract Artists on Display at Zuccaire Gallery
Historic Exhibition of Black Abstract Artists on Display at Zuccaire Gallery
“Revisiting 5+1” Honors Professor Howardena Pindell on Her Retirement

A new exhibition at the Staller Center’s Paul W. Zuccaire Gallery, entitled “Revisiting 5+1,” examines a critical moment at the junction of abstract art, racial and gender politics, and student activism at Stony Brook University. The exhibition is a reflection on the historic 1969 exhibition of abstract art “5+1,” presenting works by the original artists alongside a new selection of major works by Black women working in abstraction.

The British Library: Sarah Sense
The British Library: Sarah Sense

Sarah Sense is a descendant of two Native American tribes (Chitimacha and Choctaw), a world traveller, and Eccles Centre Fellow. She uses Native weaving techniques to create artworks combining archival materials and landscape photography. With support from the Eccles Centre, she created Power Lines – a powerful series of work utilising colonial maps and letters found in the British Library’s Americas collection.

Working Together: The Photographers of the Kamoinge Workshop at the Getty Center
Working Together: The Photographers of the Kamoinge Workshop at the Getty Center
Following the Call: Celebrating the Spirit of Black Egypt
Following the Call: Celebrating the Spirit of Black Egypt
New book by Mishka Henner
New book by Mishka Henner
Dakota Mace art translates Diné history and beliefs
Dakota Mace art translates Diné history and beliefs
Chester Higgins' camera brings a 360 degree view to Black life
Chester Higgins' camera brings a 360 degree view to Black life
Adger Cowan’s Intimate Chronicle of Black American Life
Adger Cowan’s Intimate Chronicle of Black American Life
Adger Cowans featured in THE DREAM OF ULYSSES
Adger Cowans featured in THE DREAM OF ULYSSES
M.C. Escher Gets the Recognition He Deserves in New Retrospective Exhibition
M.C. Escher Gets the Recognition He Deserves in New Retrospective Exhibition
13 Ways of Looking at Landscape: Larry Silver's Connecticut Photographs
13 Ways of Looking at Landscape: Larry Silver's Connecticut Photographs
Working Together: The Photographers of the Kamoinge Workshop
Working Together: The Photographers of the Kamoinge Workshop
Adger Cowans: Sense and Sensibility
Adger Cowans: Sense and Sensibility
EXHIBITION REVIEW: REWIND
EXHIBITION REVIEW: REWIND
Ahmet Ertug by Thierry Grillet
Ahmet Ertug by Thierry Grillet
Brea Souders 'Vistas' in Artforum
Brea Souders 'Vistas' in Artforum
Dr. David Steel on M.C. Escher
Dr. David Steel on M.C. Escher
Chester Higgins’s Life in Pictures
Chester Higgins’s Life in Pictures
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