Education
Parsons The New School for Design, New York, NY
Master of Fine Arts, Fine Art, May 2005; Dean’s List
California State University Chico, Chico, CA
Bachelor of Fine Arts, Studio Art, May 2003; Dean’s List
University of Nevada, Reno, Nevada; University Study Abroad Consortium
Santiago, Chile, 2010
Puntarenas, Costa Rica, 2010
San Sebastian, Spain, 2001
Exhibition List
Solo and Two-Person Exhibitions
2020 Cowgirls and Indians
Curator, Sherry Leedy
Sherry Leedy Contemporary, Kansas City, Missouri, September
2019 Cowgirls and Indians
Curator, Nicole Herden
Boise Museum of Art, Boise, Idaho, May - November
Cowgirls and Indians
Curator, Daina Warren
Urban Shaman Gallery, Winnipeg, Canada, February – March
2018 Cowgirls and Indians
Curator, Doug Sink
Duhesa Gallery, Colorado State University, Fort Collins, July - December
2017 cypress
Curator, Ranelle Knight-Lueth
COE College, Rapid City, Iowa, September
2016 Her Story Our Legacy
Curator, Mike Patten
Atrium artwork in conjunction with Culture Shift Contemporary Native Art Biennial
McCord Museum, Montreal, Canada, April - June
2015 INTERTWINED, Stories of Splintered Pasts: Sarah Sense and Shan Goshorn
Curator, heather ahtone
Hardesty Arts Center, Tulsa, Oklahoma, May – July
2014 Weaving Water
Curator, Jo Prince with scholarship by Max Caroccci
Legends Santa Fe, New Mexico, December - January
2013 Weaving Water
Curator, Jo Prince with scholarship by Max Caroccci
Rainmaker Gallery, Bristol, UK, July
Philadelphia Street Gallery for Rainmaker Gallery, Bristol, UK, June
The Parlour Showrooms for Rainmaker Gallery, Bristol, UK, August
2012 Weaving the Americas / Tejer las Américas
Curator, Hernán Miranda
Legends Santa Fe, New Mexico, June - July
2011 Weaving the Americas / Tejer las Américas
Curator, Hernán Miranda
Galería de Arte Trece, Santiago, Chile, December
Weaving the Americas / Tejer las Américas
Curator, Hernán Miranda
Museo de Arte Contemporáneo, Univarsidad de Austral, Valdivia, Chile September – October
Steven Yazzie and Sarah Sense
Legends Santa Fe, New Mexico, August
2009 Cultural Myths
Albuquerque Film Festival, Albuquerque, New Mexico, August
2008 Cowgirls and Indian Princesses
Blue Rain Gallery, Santa Fe, New Mexico, October
2005 Sarah Sense: Native American Heritage Month Exhibition
MTV / Viacom, Time Square, New York, New York, November
2002 Constructs, BFA Solo Exhibition
California State University Chico, Chico, California, December
Select Group Exhibitions
2020 Collage as a Political Tool for Indigenous Activism and Resistance
Curator, Peter Dykhuis
Dalhousie Art Gallery, Dalhousie University, Halifax, Nova Scotia, Canada
Dates TBD
Departures
Curator: Aditi Anand
National Migration Museum, London, England, April
Indigenous Futurism: Transcending Past/ Present/ Future
Curator: Suzanne Fricke with Chelsea Herr and Manuela Well-Off-Man and
MoCNA, Museum of Contemporary Native Art, Institute for American Indian Arts
Santa Fe, New Mexico, February – July
Art Is the Seed: Contemporary Native American Female Art, Cara Romero, Marla Alison, Sarah Sense, Natani Notah and Darby Raymond-Overstree
Curator, Alyssa Travis
Tucson Desert Art Museum, Arizona, January - May
2019 Ábadakone, Continuous Fire, Feu Continual, Indigenous Contemporary International, National Gallery of Canada, Ottawa, Canada, November - April
Monument Valley
Curator, Laura Burkhalter
DeMoins Art Center, Iowa, October - January
Live Long and Prosper: Science Fiction Images in Contemporary Native American Art
Curator: Suzanne Fricke with Chelsea Herr
MiraCosta College, Ronald Reagan Museum, San Diego, California, November
We Never Left: Artists of Southeast Indian Tribes
Curator, Walter Meyer
Collier County Museum, Naples, Florida, November – January
HUB Robeson Galleries, Penn State, September – November
Museum of Arts and Science, Daytona Beach, Florida, April – August
Substrata: Meryl McMaster, Sonny Assu, Patrick Dean Hubbell, Sarah Sense
Curator, Dennison Smith
Baldwin Gallery, London, England, May - August
Out of Tradition: Sacred & Profane
de Saisset Museum, Santa Clara University, California, January - June
2018 IN/SIGHT
Sherry Leedy Contemporary, Kansas City, Missouri, September - October
Live Long and Prosper: Science Fiction Images in Contemporary Native American Art
Curator, Suzanne Fricke with Chelsea Herr
New Mexico State University Art Museum
Las Cruses, New Mexico, October – March 2019
Native American Contemporary
Curator, Josie Mai
Spiva Center for the Arts, Joplin, Missouri, January - March
2017 Home Land
Curator, Carolyn Grosch
Asheville Art Museum, Asheville, North Carolina, July - October
Catch 22, Paradox on Paper, from the Edd Guarino collection
Curator, Nina Sanders
Ralph Coe Foundation, Santa Fe, New Mexico, August – March
Train of Ink
Curator, John Hitchcock
SGC International Printmaking Conference, Atlanta, Georgia, March
Map(ing)
Curator, Mary Hood
Arizona State University, Phoenix, Arizona, Night Gallery, January – February
2016 The Red Thread
Curator, Max Carocci and Vanessa von Gliszczynski
Weltkulturen, Frankfurt, Germany, November – August 2017
Back Where They Came From
Curators, Tom Jones and Sherry Leedy
Sherry Leedy Contemporary, Kansas City, Missouri, September – October
Woven
Curator, Meg Bero
Schingoeth Center of Aurora University, Illinois, October - December
2015 Woven Together, Grandmother Spiderwoman in Contemporary Native Art,
Curator, Suzanne Fricke
Surgut Regional Studies Museum
Collaboration with American Consulate, Yekaterinburg, Russia, June - October
Recycle, Re-use, Repurpose
Curator, Joe Baker and Gerald Clarke
Idyllwild Arts, California, June - July
Return to Exile
Curators, Bobby Martin and Tony Tiger
Lyndon House Art Center, Athens, GA, August - October 2015
Museum of Contemporary Native Art, Santa Fe, NM, August - December 2016
Cherokee Heritage Center, Tahlequah Oklahoma, May – August 2017
CAPTURED
Curator, Joanne Prince
Rainmaker Gallery, Bristol, England, March – May
Heard Market Show
King Galleries, Scottsdale, Arizona, March
Map(ing)
Curator, Mary Hood
Arizona State University, Night Gallery, Phoenix, Arizona, January – February
2014 Re-Riding History: From the Southern Plains to the Matanzas Bay
Curator, John Hitchcock
Crisp-Ellert Art Museum, St. Augustine, Florida
Currents: Native American Voices in Contemporary Art
Curator, Cecily Cullen
Fort Lewis College, Durango, Colorado, October - December
2013 Currents: Native American Voices in Contemporary Art
Curator, Cecily Cullen
Metropolitan State University of Denver, Center for Visual Art
Denver, Colorado, November – February
Fall Photography Exhibition
Legends Santa Fe, Santa Fe, New Mexico, November
Unraveling Time, Creating Space
Curator, Alyssa Frigden
Alexandria Museum of Art, Alexandria, Louisiana, May – August
Heard Indian Market
Berlin Gallery, Heard Museum, Phoenix, Arizona, March
2012 First Continental Biennale of Contemporary Native Arts
Museo de Nacional Culturas Populares, Mexico City, Mexico, August – October
Changing Hands 3
Curator, Ellen Taubman
Museum of Art and Design, New York, New York, June - October
MESSENGER 2012
Curator, Joanne Prince
Rainmaker, Bristol, England, June
Best of Berlin
Curator, Andrea Hanley
Berlin Gallery, Heard Museum, Phoenix, Arizona, March
2011 Sur merc’Art,
Galeria de Arte Trece, Santiago, Chile, December - March
Small Works
Legends Santa Fe, Santa Fe, New Mexico, August
HIDE: Skin as Material and Metaphor
Curator, Kathleen Ash-Milby
Museum of Contemporary Native Art, Santa Fe, New Mexico, April – June
Layers
Curator, Andrea Hanley
Berlin Gallery, Phoenix, Arizona, April - May
2010 Pieces of Home
Curator, Lara Evans
Evergreen State College, Olympia, Washington, October – January
HIDE: Skin as Material and Metaphor
Curator, Kathleen Ash-Milby
Smithsonian Institution, National Museum of the American Indian; New York, New York, August – January
Reimagining the West
Curator, Claire Carter
Scottsdale Museum of Contemporary Art, Scottsdale, Arizona, June – August
Native Modern: Against the Grain
Legends Santa Fe and SWIA, Santa Fe, New Mexico, May
Winter 2010
Weinstein Gallery, Minneapolis, Minnesota, February - March
Visions
Curator, Andrea Hanley
Berlin Gallery, Heard Museum, Phoenix, Arizona, February - March
In/SIGHT
Curators, Clarissa Dalrymple and Michael Chapman
Chelsea Art Museum, New York, New York, January – February
2009 Spctclr vws
Curator, Mary Mihelic
One Brooklyn Bridge Park, Brooklyn, New York, April – May
Outsiders Within
Tempe Center for the Arts, Tempe, Arizona, April – May
New Directions
Curator, Andrea Hanley
Berlin Gallery, Phoenix, Arizona, April
2008 HOW: Engagements with the Hollywood Indian
Curator, Ryan Rice
ImagineNATIVE Film Festival, Ace-Gallery, Toronto, Canada, October
Representing Fearless Innovations in Native Art
Blue Rain Gallery, Santa Fe, New Mexico, August
Native Voices: Contemporary Indigenous Art
Curator, Hanne Tierney
Long Island University, Brooklyn, NY, March – April
2007 Sarah Sense
Curator, Andrea Hanley
The Berlin Gallery, Heard Museum, Phoenix, Arizona, December
View Three
Nicole Fiacco Gallery, Hudson, New York, March - April
2006 Paumanok
Curator, Stephanie Dinkins
Staller Center for the Arts, State University of New York at Stony Brook, Stony Brook, New York, September – October
2005 Art Parade
Collaboration with Brad Kahlhamer
Deitch Projects, New York, New York, September
Introducing
Elliott Fouts Gallery, Sacramento, California, August – September
Primed
MFA Exhibition, Parsons School of Design, New York, New York, February
New York Mix: Five Civilized Boroughs
Curator, Kathleen Ash-Milby
AICH Gallery, New York, New York, January – March
2004 Generations.04
A. I. R. Gallery, New York, New York, March
2002 BFA Group Exhibition
California State University Chico, Chico, California, October
1998 Selected Student Works
Crocker Art Museum, Sacramento, California, March
Professional Affiliations and Activities
2019 Ábadakone, Continuous Fire, Feu Continual, Indigenous Contemporary International, Gallery Talk, National Gallery of Canada, Ottawa, Canada, November - April
Listen to the Atlantic, It’s Speaking to you, permanent installation for the National Marine Aquarium, Plymouth, England with sponsorship from Take A Part for the Mayflower 400 Anniversary. A large steel parabolic disc with names of Native North Americans who died or went missing in London between the years of 1603 – 1630 (list provided author of Indigenous London, Coll Thrush), during the time the Mayflower set sail, drawing attention to the colonization that was already occurring in North America and treatment of Indigenous in the United Kingdom. Installed in November, Plymouth, England
Indigenous Art and Activism in Changing Climates, University of Mississippi and Caroline Wigginton: guest artist, lecturer and workshop leader, Oxford, Mississippi, October 24-26
Decolonising Mayflower 400, National Marine Aquarium with Northstar Study Group, Lecture and Panel Discussion with Laura Hopes, moderated by Lucy Stella Rollins, in lead-up to installation, Plymouth, England, September 28
Art in the Aquarium, with the National Marine Aquarium and Take A Part
Workshop leader, in lead-up to installation, Plymouth, England, September 27-28
Plymouth Art Workshop, with Take A Part, workshop leader, in lead-up to installation, Plymouth, England, August 21
Re-envisioning North American Presence in Britain, Beyond the Spectacle, Sainsbury Centre for the Visual Arts, East Anglia University, Norwich, England, July 19-21
Source Material, Summer Scholars Lecture, British Library, London, England, July 15
Keywords in Trans-Indigenous Studies, Early Americanist Society Conference, University of Oregon, Eugene, Oregon, March 1
Source Material, artist talk, Early Americanist Society, University of Oregon, Eugene, Oregon, February 28
Source Material, artist talk, MAWA Mentoring Artists for Women’s Art, Winnipeg, Canada, February 1
University of Manitoba School of Art, artist talk and studio visits, Winnipeg, Canada, January 27
Workshop – Weaving and Collage with Sarah Sense, Manitoba Craft Council, Winnipeg, Canada, January 26
2018 Cowgirls and Indians Workshop, Colorado State University, Fort Collins, Colorado, November
Decolonising Mayflower 400, Take A Part and Kim Wide, lecturer, September 25
Commission for Choctaw Headquarters, Oklahoma
Indigenous Art in Britain, University of Bristol, Transnational Indigenous Art: An Artists’ Roundtable, June
Sensoramic 004, Laura Jones, vinyl cover
2017 British Council, video interview with Mario Caro on Indigenous arts of the Americas
https://us.live.solas.britishcouncil.digital/contemporary-indigenous-arts-americas
cypress, artist talk, COE College, Cedar Rapids, Iowa
No DAPL, StandingRock Protest Art, American Indian Workshop, Goldsmith College, University of London, UK, Markus Lindner, July
Sensoramic 003, Laura Jones, vinyl cover
University of Kansas, commission for hospital, Lawrence, Kansas
art studio 101, commission for Harrah’s Ak Chin Casino, Maricopa Arizona
Train of Ink, print exchange, SGC International Printmaking Conference, Atlanta, Georgia with John Hitchcock, the University of Wisconsin - Madison
Map(ing), Printmaking Residency, Arizona State University, School of Art, Printmaking Department, Professor Mary Hood, January 2 – 10
2016 The Red Thread, galley talk, Weltkulturen, Frankfurt, Germany, November
Sensoramic 002, Laura Jones, vinyl cover
2015 Sensoramic 001, Laura Jones, vinyl cover
Woven Together, Gallery talk and workshop, Surgut Regional Studies Museum in Collaboration with American Consulate, Yekaterinburg, Russia, September 2 - 3
Recycle, Re-use, Repurpose, Idyllwild Arts, Gallery Talk, Idyllwild, California, June 29
INTERTWINED, Stories of Splintered Pasts, artist residency, gallery talk, panel discussion, artist talk, Hardesty Arts Center, Tulsa, Oklahoma, April 20 – May 3
Grant recipient of the National Endowment for the Arts (NEA) and the Mid-America Art Alliance (MAAA)
National Endowment for the Arts, grant for exhibition, INTERTWINED, Stories of Splintered Pasts
Map(ing), Printmaking Residency, Arizona State University, School of Art, Printmaking Department, Professor Mary Hood, January 3 – 11
2014 Creative Alliances: The Transitional Designs of Indigenous Women’s Poetry, Molly S. McGlennen, University of Oklahoma Press, cover image
Weaving the Boundary, University of Arizona Press, Karenne Wood, cover image
2013 Currents: Native American Voices in Contemporary Art, Gallery Talk, Metropolitan State University of Denver, Center for Visual Art, Denver, CO, November 22
Decolonizing the Exhibition, Vassar College, Panelist, Poughkeepsie, NY, Dec 5
Weaving Water, Rainmaker Gallery, Exhibition Lecture, Bristol, England, June 13
Rainmaker Gallery, Artist in Residence, June 3 – August 10
Unraveling Time, Creating Space, Alexandria Museum of Art, Exhibition Lecture,
Alexandria, LA, May 31
Foundation for Contemporary Art, New York, NY, Emergency Grant Recipient
New Orleans Jazz and Heritage Festival, Featured artist in the demonstration pavilion, May 1 - 5
2012 - 2013 Weaving Water; A journey comparing cultural landscapes of the Caribbean and Southeast Asia, focusing on the migration of culture through waterways
2012 Changing Hands 3, Museum of Art and Design, New York, NY, Panelist, June 25
Weaving the Americas, Legends Santa Fe, Gallery Talk, Santa Fe, NM, June 2
Weaving the Americas, book presentation, Berlin Gallery, Heard Museum, Phoenix, AZ, March 3
Sociales Seminar: History and Anthropology of North American Indian Societies; Guest Speaker; Ecole des Hautes Etudes en Sciences, Paris, France, Feb 1
2011 Santa Rosa Factoría de Arte, Resident Artist, Santiago, Chile, July - August
Origin Projects; Founder and Director; A company committed to searching and sharing information about art and culture of under-recognized communities while providing ways for people to help support the communities’ health and culture
Weaving the Americas; A seven month journey from Canada to Chile in search for Indigenous art by traveling to the communities, resulting in a collection of video interviews, a traveling exhibition, short documentary and catalogue.
Longhouse Education and Cultural Center with the Ford Foundation
Nation Grant Recipient, Evergreen State College, Olympia, WA
Revolution 2012, Thematic Visual Arts Residency, Banff Centre, Canada
HIDE: Skin as Material and Metaphor; National Museum of the American Indian,
Smithsonian Institution; Museum Talk
Longhouse Education and Cultural Center with the Ford Foundation
Nation Grant Recipient, Evergreen State College, Olympia, WA
2009 Laid Over To Cover, Walter Phillips Gallery, Banff Centre, Canada, Workshop
Self-Directed Residency, Banff Centre, Canada, Artist Residency
Archive Restored, Banff Centre, Canada, Artist Residency
Native + U; Berlin Gallery, Heard Museum; Gallery Talk; April 17
2008 - 2009 Vision Project, Director; Institute of American Indian Arts; Santa Fe, NM
2007 - 2008 Assistant to the Director; Hammer Museum, University of California Los Angeles
2008 Water Legends; Chitimacha Tribal School, Charenton, LA; Smithsonian National Museum of the American Indian, Native Arts Programs, Community Youth Project, Fellowship Recipient
2007 Markham Ravine Mural Project: Preservation of the Wetlands; Foskett Ranch Elementary, Lincoln, CA; Teacher and Muralist
Yaamahana Mural Project: Preservation of Oral Traditions; Early Learning Center, Chitimacha Reservation, Charenton, LA; Researcher and Muralist
2006 State University of New York at Stony Brook, Department of Fine Arts; Visiting Artist
What is Native American Art, State University of New York at Stony Brook, Department of Art History, Symposium, Panelist
2005 – 2007 American Indian Community House Gallery; Director and Curator; New York, NY
Catalogues, Books Radio and Reviews
2019 British Library, Visiting Fellow, Eccles Centre, London, England, 2019-2020
Monument Valley, exhibition catalogue, Des Moines Art Center
Proud, Resilient and Native American, Ramblings, Clare Balding, BBC Radio 4, June 8
Stories to Tell: Boise Art Museum Exhibits Native American Art, Boise Weekly, review of Cowgirls and Indians by Lex Nelson, May 21, 2019
Indigenous Conference, artist Princeton University
Cowgirls and Indians, American artist, Sarah Sense challenges myths and stereotypes about Indigenous women in popular culture, Galleries West, review by Stacey Abramson, February 23
Weaving A New History, Winnipeg Free Press, review by Jill Wilson, February 15
Sarah Sense’s scintillating new mixed media exhibition, Cowgirls and Indians is being showcased at the Urban Shaman Gallery, The Manitoban, University of Manitoba Newspaper, review by Amin Montazeri Pour Agha, February 6, 2019
USI Radio Interview, Winnipeg, Canada, January 31
NCI FM Radio, The Spirit of Manitoba, Interview, Winnipeg, Canada, January 30
Nicht langer unsichtbar, Art Das Kunstmagazin, Hamburg, Germany,magazine article featuring Jeffrey Gibson, Merritt Johnson, Nicolas Galanin and Sarah Sense, February
2018 The Imagistic, Indigenized “I”: Native Self-Portraiture in Photography, Michelle Lanteri, First American Art Magazine, No. 18, Sprint 2018
2017 Devorah Romanek, dissertation, University College London
Artists Explore Indigenaity Through Printmaking, Erin Joyce, Hyperallergic, April 17,
https://hyperallergic.com/352039/artists-explore-indigenity-through-printmaking/
Company Editions, online magazine, https://companyeditions.com/sarah-sense
2016 esse Arts + Opinions, Portfolio, Sarah Sense, fall 2016, pg 88 – 91
Contemporary Native Art Biennal; Northern Pavilion, Inuit Art Foundation, Fall, vol 29 issue 3, pp. 44 – 45 (review by D.J. Fraser)
Getting Personal: Sarah Sense’s My Basket Story Series, an Artist’s Journey Expressed Through Art, King Galleries, by Edd Guarino’s Collector’s Blog, April 1, 2016
Family Values: Sarah Sense’s Grandmother’s Stories Series, King Galleries, by Edd Guarino’s Collector’s Blog, January 1, 2016
2015 NEA Art Talk, National Endowment for the Arts, November 15, 2015
https://www.arts.gov/art-works/2015/art-talk-sarah-sense
INTERTWINED, Stories of Splintered Pasts, Shan Goshorn & Sarah Sense, Hardesty Arts Center, Exhibition Catalogue, Forward by Kathy McRuiz, Curatorial and Contemporary Essay by heather ahtone, Historical Essay by Max Carocci.
Cleo, Liz, Sarah and Me: The Genesis of a Commissioned Work of Art, King Galleries, by Edd Guarino’s Collector’s Blog, October 1, 2016
American Art Magazine, review, INTERTWINED, Stories of Splintered Pasts, Shan Goshorn & Sarah Sense, by America Meredith, fall 201, pg. 93
Weaving the Boundary, University of Arizona Press, book cover image, March 2015
Sarah Sense, Summers spent on the Chitimacha Reservation in Louisiana led the artist to join two worlds — blending contemporary photography with traditional basket weaving.
Cowboys and Indians Magazine, March
Basket Makers Breaking Boundaries, Native Peoples Magazine, pg. 54 January
2014 Native American Artists Reclaim Images that Represent Them Sarah Sense, Jason Lujan and Ryan Red Corn, NPR, National Public Radio, Code Switch Blog, August 31, https://www.npr.org/sections/codeswitch/2014/08/31/344306508/native-american-artists-reclaim-images-that-represent-them
Sarah Sense: Weaving Place and Memory, Theresa Barbaro, February
Smithsonian American Indian Magazine
Art District: Cross Currents, Rocky Mountain PBS, Public Broadcasting Service, January
Native North American Art, by Janet Berlo and Ruth Phillips, published by Oxford University Press, April 2014
2013 Weaving Water, Resurgence and Ecology, Dory Walker, December
Weaving Water: Sarah Sense, The Wild Times, Dory Walker, September
Review of Sarah Sense, Weaving Water, Stephanie Pratt, First American Art Magazine
2012 Indigenous Perspectives on Contemporary Native Art, Indigenous Aesthetics and Representation, University of New Mexico, John Paul Rangel dissertation for Doctorate in Philosophy, Language, Literacy and Sociocultural Studies, December 2012, pg. 140 - 153
A Rare Sense-Ability, Weaving the Americas, Native Peoples, June
Weaving the Americas, Paseo Times, June
2011 Tejiendo Las Americás, Radio Zero; Radio Story, December 16
Tejiendo Las Americás, Play 100.9; Radio Story, December 12
Artista Gringa Que Teje Fotografias Trae sus tecnicas secretas a Chile, Las Ultimas Noticias, December 9
Art Attack, Capital Eyes, http://capital-eyes.blogspot.com/2011/12/art-attack.html December 7
USAC Alumni Profile: Sarah Sense, University of Nevada Reno, http://usac.unr.edu/news/stories.aspx, November 1
Temporado de Exposiciones en el Mac de Valdivia Chile, artslatino.com, September 6
MAC Valdivia UACh Inauguro Nueva Temporade de Exhibiciones, Noticias UACh, September 5
Crossing Cultures, Steven Yazzie and Sarah Sense; Western Art Collector;
August, pg. 140-143, August
Weaving the Americas, Kickstarter campaign February - March
2010 HIDE: Skin as Material and Metaphor; Exhibition Catalogue; Editor,
Kathleen Ash-Milby; National Museum of the American Indian, Smithsonian Institution
2009 Trailblazers; Southwest Art; August, pg. 103
The World of Sarah Sense; THE Magazine; August, pg. 14 - 15
2008 Revolutionizing Hollywood Westerns; Western Art Collector; November, pg. 94-97
2nd Anniversary Show; Native Peoples; November – December, pg. 58
A Sense of Time; Desert Living; September – October, pg. 26
Small Work, Big Impact; by Kate Crowley; Front Door Press; September-October, pg. 37
Trademark Intersectionality; Lecture by Sonia K. Katyal; Loyola Law School; May
Art Ltd. West Coast Art + Design; March-April, pg. 39
Exhibit of Native Art Debuts in Brooklyn; by Stephanie Woodard; Indian County Today; Canastota, NY, March 24
2007 Lincoln Wetlands: Foskett Ranch Mural Project; News From Indian Country: The Independent Native Journal; Hayward, WI; June 25
Foskett Ranch Mural Project; News From Indian Country: The Independent Native Journal; Hayward, WI; June 25
Foskett Ranch Elementary Etches It’s Legacy in Stone; Lincoln Messenger; Lincoln, CA; May 31
Yaamahana Mural Project; Franklin Banner; Jeanerette, LA; March 16
2006 Paumanok: Land of Tribute; The Stony Brook Statement; Stony Brook, NY,
September 18
Paumanok, Exhibition catalogue; Author, Lara Evans; State University of New York; Stony Brook, NY
Contemporary Native American Art in the 21st Century; Lecture by Kathleen Ash-Milby; Museum of Art and Design; New York, NY; March
2005 Contemporary Native American Art in the 21st Century: Overcoming the Legacy; Kathleen Ash-Milby; European Review of Native American Studies
We’ll Take Manhattan; A presentation of the Smithsonian Institution, National Museum of the American Indian Native Arts Symposium Fellow, Nadema Agard; Metropolitan Museum of Art, New York, NY; October
Homeward Bound: Parade tries to draw artists back to Soho; The Villager;
New York, NY, September
Deitch Projects 2005 Art Parade, Miss Ft. Gotham Indian Princess; Pic Patrol, September
Deitch Art Parade; Downtown Express; New York, NY, September
Art Pick of the Week: Deft Weft; Sacramento News and Review; Sacramento, CA,
August 25
Art Pick of the Week: Deft and Weft; Reno News and Review; Reno, NV, August 25
Primed; New York Times; New York, NY, February
Primed; Village Voice; New York, NY, February
New York Mix, Native American Artist Series; Manhattan Neighborhood Network;
New York, NY, January
Native Americans in New York; Gotham Gazette; New York, NY, January
2002 Juried Student Exhibition; The Orion, California State University Chico;
Chico, CA, April
2000 Aspiring Artist; The Orion, California State University Chico; Chico, CA, November
Curatorial Projects
2011 Vicariously through You, Group exhibition presentation by AMERINDA, Inc.
Curator; Wilmer Jennings Gallery; March – April; New York, NY
2007 Definitions of the Exotic, Erica Lord; Curator
American Indian Community House Gallery; June – July; New York, NY
Fly by Night Mythology, Larry McNeil; Curator
American Indian Community House Gallery; April – May; New York, NY
Clash of the Titans, Anna Tsouhlarakis; Curator
American Indian Community House Gallery; March – April; New York, NY
Ancestral Patterns, Joe Feddersen and Gail Tremblay; Curator
American Indian Community House Gallery; February – March; New York, NY
2005 Contemporary American Indian Art Exhibition: A Celebration of the Diversity of Native American Artists in New York; Curator; Citigroup, Tribeca; New York, NY
Publications
2013 Knots of Chile, First American Art Magazine, Review, March
2012 Weaving the Americas / Tejer las Américas, Book, Pascoe Publishing Inc.
2011 Vicariously through You, AMERINDA Inc., Exhibition Catalogue
2007 Contemporary Indigenous Art, AICH Gallery Exhibition Catalogue
Teaching Experience
2009 The Business of Art; Instructor; An overview of how to be a professional artist in the art world through an understanding of the markets, networking, professional portfolio development, targeting your desired audience and fundraising.
Institute of American Indian Arts, Santa Fe, NM
2005 Figure Drawing and Fashion Illustration; Instructor; Learning figure drawing through a variety of media while exploring conceptual and material inspiration through research.
New York University, Summer Programs, Fashion Camp, New York, NY
2005 Core Studies, Foundation Program; Teaching Assistant; Guiding students toward their outcome in laboratory class to create projects dealing with art and design within a social, economic and cultural context.
Parsons the New School for Design, New York, NY
Collections
Amon Carter Museum, Fort Worth, Texas
Asheville Art Museum, Asheville, North Carolina
Chitimacha Tribe of Louisiana Museum, Charenton, Louisiana
Choctaw Headquarters, Oklahoma
Colorado State University, Fort Collins, Colorado
Cypress Bayou Casino, Chitimacha, Charenton, Louisiana
Eaton, Corporate Collection, Cleveland, Ohio
Harvard University, Kennedy School, Cambridge, Massachusetts
Museo Nacional de Culturas Populares, Mexico City, Mexico
Nerman Museum of Contemporary Art, Overland Park, Kansas
Smithsonian National Museum of the America Indian, New York, New York
Schingoethe Center of Aurora University, Aurora, Illinois
Tweed Museum of Art, University of Minnesota, Duluth, Minnesota
Weltkulturen Museum (World Cultures Museum), Frankfurt, Germany
Santa Clara University, de Saisset Museum, Santa Clara, California
Private collections: Australia, Canada, Chile, Colombia, England, France, Germany, Ireland, New Zealand, Switzerland, United States of America