
Dakota Mace (Diné) is an interdisciplinary artist whose work focuses on translating the language of Diné history and beliefs. Mace received her MA and MFA degrees in Photography and Textile Design at the University of Wisconsin-Madison and her BFA in Photography from the Institute of American Indian Arts. As a Diné (Navajo) artist, her work draws from the history of her Diné heritage, exploring the themes of family lineage, community, and identity. In addition, her work pushes the viewer's understanding of Diné culture through alternative photography techniques, weaving, beadwork, and papermaking.
She has also worked with numerous institutions and programs to develop dialogue on the issues of cultural appropriation and the importance of Indigenous design work. She is currently a graduate advisor in painting and drawing at the School of the Art Institute of Chicago and the photographer for the Helen Louise Allen Textile Center and the Center of Design and Material Culture.
Her work as an artist and scholar has been exhibited nationally and internationally at various conferences, collectives, museums, and galleries, including Textile Society of America, Weave a Real Peace, Indigenous Photograph, 400 Year Project, Wright Art Museum, Contemporary Arts Center, Kemper Museum of Art, Boston University, and the Wallach Art Gallery.
Helen Nez-Diné Elder Dahodiyinii (Sacred Places), 2021
Archival pigment print
Chester Otero-Diné Elder Dahodiyinii (Sacred Places), 2021
Archival pigment print
Hwéeldi (Bosque Redondo) Dahodiyinii (Sacred Places), 2021
Archival pigment print
Dahodiyinii (Sacred Places), 2021
Archival pigment print of scanned chemigrams
Tozodizin (Prayer) Dahodiyinii (Sacred Places), 2021
Archival pigment print
So’ (Stars), 2019
Suite of unique chemigrams
Łichíí I (Red), 2020
Archival pigment print of scanned chemigram
Łichíí III (Red), 2020
Archival pigment print of scanned chemigram
Łichíí IV (Red), 2020
Archival pigment print of scanned chemigram
Na’ashjéii Asdzáá (Series), 2017
Cyanotypes with hand beading
Náhookos Biko’ (Northern Fire), Náhookos Bi’áadii (Northern Female), & Náhookos Bika’ii (Northern Male), 2017
Natural White Cotton & Wool, Glass Beadwork
Tó (Water) I-IV, 2021
Archival pigment print of scanned cyanotypes