Cloud 9

March 10 - April 25, 2009
Exhibition Views Thumbnail View
Selected Works Thumbnail View
Edward Weston  Clouds, Santa Monica, 1936 Gelatin silver print, printed c.1936 8 x 10 inchesEdward Weston  Clouds, Santa Monica, 1936 Gelatin silver print, printed c.1936 8 x 10 inches

Edward Weston 
Clouds, Santa Monica, 1936
Gelatin silver print, printed c.1936
8 x 10 inches

Edward Weston  Clouds, Death Valley, 1938 Gelatin silver print, printed c.1938 7 5/8 x 9 1/2 inchesEdward Weston  Clouds, Death Valley, 1938 Gelatin silver print, printed c.1938 7 5/8 x 9 1/2 inches

Edward Weston 
Clouds, Death Valley, 1938
Gelatin silver print, printed c.1938
7 5/8 x 9 1/2 inches

Edward Weston  Clouds, Santa Monica, 1936 Gelatin silver print, printed c.1936 8 x 10 inchesEdward Weston  Clouds, Santa Monica, 1936 Gelatin silver print, printed c.1936 8 x 10 inches

Edward Weston 
Clouds, Santa Monica, 1936
Gelatin silver print, printed c.1936
8 x 10 inches

Alfred Stieglitz Equivalent, 1934 Gelatin silver print mounted to board, printed c.1934 3 9/16 x 4 11/16 inchesAlfred Stieglitz Equivalent, 1934 Gelatin silver print mounted to board, printed c.1934 3 9/16 x 4 11/16 inches

Alfred Stieglitz
Equivalent, 1934
Gelatin silver print mounted to board, printed c.1934
3 9/16 x 4 11/16 inches

Alfred Stieglitz Equivalent, 1925 Gelatin silver print mounted to board, printed c.1925 4 5/8 x 3 1/2 inchesAlfred Stieglitz Equivalent, 1925 Gelatin silver print mounted to board, printed c.1925 4 5/8 x 3 1/2 inches

Alfred Stieglitz
Equivalent, 1925
Gelatin silver print mounted to board, printed c.1925
4 5/8 x 3 1/2 inches

Alfred Stieglitz Equivalent, 1929 Gelatin silver print mounted to board, printed c.1929 4 5/8 x 3 1/2 inchesAlfred Stieglitz Equivalent, 1929 Gelatin silver print mounted to board, printed c.1929 4 5/8 x 3 1/2 inches

Alfred Stieglitz
Equivalent, 1929
Gelatin silver print mounted to board, printed c.1929
4 5/8 x 3 1/2 inches

Alfred Stieglitz Equivalent, 1927 Gelatin silver print mounted to board, printed c.1927 3 9/16 x 4 11/16 inchesAlfred Stieglitz Equivalent, 1927 Gelatin silver print mounted to board, printed c.1927 3 9/16 x 4 11/16 inches

Alfred Stieglitz
Equivalent, 1927
Gelatin silver print mounted to board, printed c.1927
3 9/16 x 4 11/16 inches

Imogen Cunningham Cloud Study, 1939 Gelatin silver print mounted to board, printed c.1939 9 1/4 x 6 1/2 inchesImogen Cunningham Cloud Study, 1939 Gelatin silver print mounted to board, printed c.1939 9 1/4 x 6 1/2 inches

Imogen Cunningham
Cloud Study, 1939
Gelatin silver print mounted to board, printed c.1939
9 1/4 x 6 1/2 inches

Imogen Cunningham Cloud Study, 1939 Gelatin silver print mounted to board, printed c.1939 9 1/4 x 6 1/4 inchesImogen Cunningham Cloud Study, 1939 Gelatin silver print mounted to board, printed c.1939 9 1/4 x 6 1/4 inches

Imogen Cunningham
Cloud Study, 1939
Gelatin silver print mounted to board, printed c.1939
9 1/4 x 6 1/4 inches

Press Release

Cloud 9 is a group of nine original vintage photographs of the sky by esteemed photographers Imogen Cunningham, Alfred Stieglitz, and Edward Weston. Alfred Stieglitz photographed clouds from 1924 to 1935. He termed these cloud photographs Equivalents. For Stieglitz, the abstract forms and formations of clouds perfectly equated to the modern idea of equivalence, holding that abstract forms, lines, and colors could represent and evoke universal inner human states, emotions and ideas—a powerful notion which numerous later photographers recognized and emulated. Edward Weston's search for purity of form—the essential—seems simultaneously fulfilled and alleviated in his cloud studies. The abstract and impossibly fleeting nature of clouds played to his interest in form and texture, but even to Weston, clouds ultimately remain an elusive subject—free-association, subjective emotional reaction abound. Cunnigham’s clouds, while the most ‘cloud-like’ of the three, perfectly reflect her early interest in the abstract images created by the interplay of positive/negative space. This marked attention to positive/negative space in nature is seen also in her well-known masterpieces: Triangles, 1928 and Magnolia Blossom, 1925.