Since the mid 1960s, Keith Smith has taken a non-purist approach to photography and book making. Smith's disinterest in categorizing his work set him apart from his peers and made him a rogue member of both the photography and printmaking departments at The School of the Art Institute of Chicago. Smith has sewn his photographs into quilts, explored etching, drawing and transferring his images to shoes and fabrics, but sequencing his images in a “book experience” has remained a priority throughout his career. Smith's interest in experimenting with new material and technological processes has resulted in over 280 unique artist books, where the physical object is as important as its content. His works are often radical departures from conventional books–made of string or covered in fabric, they unfold, light-up, do not open, are unbound, or punched full of holes. Time weaves back and forth in Smith's work and certain themes recur: desire, memory, poetry, image repetition, and sequence.